
Day: January 25, 2026
02881c68-501d-53ca-9bfd-9ba8ada84553 • fnc • Fox News • fox-news/opinion • fox-news/us/us-regions/midwest/minnesota
DAVID MARCUS: Anti-ICE agitators adopt Palestinian tactics, including martyrdom
Opinion piece claims Minneapolis protesters allegedly use tactics similar to Hamas against federal immigration agents, citing recent shooting incident.
Medicine’s Descent Into Madness
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The Minnesota chapter of White Coats for Black Lives, a medical student group, greeted the October 7, 2023, Hamas-led terrorist attack on Israel by saying that Palestinians should “free themselves from their oppressors by any means necessary.”
The post Medicine’s Descent Into Madness appeared first on .
Book reviews • Britain • CIA • Conservative Review • Culture • Espionage
The Soviet Defector Who Did the Most Damage
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During the past 30 years, extraordinary material released from American and Russian archives has enormously expanded our understanding about Soviet espionage directed at the United States and its allies during the 20th century. The Venona decryptions were the product of American decoding of KGB messages. The Vassiliev Notebooks were based on documents the KGB provided to a researcher as part of a negotiated book deal. The only material provided by a genuine spy was the Mitrokhin material, several thousand pages of notes made surreptitiously by a KGB archivist. While British historian Christopher Andrew collaborated with Vasili Mitrokhin to write two books based on his notes, Mitrokhin himself has not received the attention he merits. Venona and Vassiliev exposed a great deal about Soviet espionage from the 1930s and ’40s. Mitrokhin’s information covered more recent operations and did far more damage to Soviet intelligence than any other defector.
The post The Soviet Defector Who Did the Most Damage appeared first on .
Children • Christianity • Conservative Review • Culture • Fertility • IVF
To Accept the Things I Cannot Change
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Menstrual cycles are not an illness, and medicating them as if they are—suppressing the body’s natural hormonal rhythms—clashes with what was once left-wing skepticism of corporate influence in medicine, while conveniently profiting Big Pharma. This should not be a controversial or political claim. And yet, as the New York Times recently noted, it has become one—and a conservative one at that.
The post To Accept the Things I Cannot Change appeared first on .
Blaze Media • Blazetv • Rick burgess • Rick burgess strange encounters • Strange encounters • The rick burgess show
AI Christian songs are topping charts — but is ‘soulless’ music a demonic trap for believers?

In late 2025, two songs by “Christian artist” Solomon Ray — “Find Your Rest” and “Goodbye Temptation” — topped Billboard’s gospel digital song sales chart and iTunes’ Christian music songs chart, reaching the No. 1 and No. 2 spots.
Christians across the globe deeply resonate with Ray’s Southern revival style and emotive, biblically solid lyrics. In just a matter of weeks, Ray’s music has amassed hundreds of thousands of monthly Spotify listeners, millions of streams, and significant YouTube views.
There’s only one problem: Solomon Ray isn’t a real person. It’s an AI generation.
Despite their popularity, Ray’s songs have sparked intense ethical and theological debate in the Christian music community — drawing criticism from artists like Forrest Frank over issues of authenticity, the absence of the Holy Spirit, and whether AI can truly convey genuine faith or soul in worship music.
On this episode of “Strange Encounters,” Rick Burgess addresses the controversy.
Rick acknowledges that while there’s certainly room to disagree on this issue, “something about it in my spirit … doesn’t seem right.”
“The first thing that we have to consider,” he says, “is that Solomon Ray has no soul; he has no spirit; he isn’t real. The pictures we see of him are not real. They’re like watching an animation of someone.”
Even though Rick gives credit where it’s due — “they’re good songs,” he admits — he nonetheless feels that Christians who engage with this music are flirting with something sinister.
Many proponents of Ray’s music, however, argue that because the songs were allegedly written by Christopher “Topher” Townsend, the conservative Christian hip-hop artist who created Solomon Ray, it shouldn’t matter who — or what — sings the lyrics. AI, they contend, is simply the next “evolutionary step in music.”
But Rick disagrees.
“It may be true [that AI is the next evolutionary step in music], but there’s something that’s also kind of dishonest about it,” he says, “because when you read [the] Spotify profile, Solomon Ray is a ‘Mississippi-made soul singer carrying a Southern soul revival into the present.’”
“No, he’s not,” he says bluntly.
“We’re starting to blur the lines of reality and truth.”
Rick quotes popular Christian music artist Forrest Frank, who echoed these concerns when he said, “At minimum, AI does not have the Holy Spirit inside of it. So I think that it’s really weird to be opening up your spirit to something that has no spirit.”
If artificial intelligence and Christendom continue to intersect — and they almost certainly will — Rick is concerned about what else our spirits will be subjected to.
“How many sermons are we going to start hearing that no longer feature[] a man of God sitting down with the word of God, praying for the Holy Spirit to inspire him for his next message, as opposed to getting down to the computer, saying, ‘Here’s what I need to speak on Sunday. Crank me out a sermon’?” he wonders.
He cites a recent book by Pastor Todd Korpi titled “AI Goes to Church: Pastoral Wisdom for Artificial Intelligence”: “The biggest threat to creation at the hands of AI is in how it continues to feed our appetite for consumption and progress. AI-generated music is faster, easier to produce than a studio album that requires real musicians, songwriters, audio engineers, the relational part of making music. … AI might continue this trend of disconnection and preference for the convenience of a disembodied interaction that has shaped the last decade.”
Rick agrees with Korpi’s warning. When it comes to AI music, “we’re dealing with something that’s disembodied. That feels demonic to me,” he says.
“The adversary and his demons love to manipulate scripture,” he reminds us, referring to the fall of Adam and Eve in the garden and Satan’s temptation of Jesus in the wilderness.
“The apostle Paul warned Timothy that these days were coming — that people would begin to look for pastors — and I would say musicians and singers — that tickle their ears and satisfy their desires, as opposed to being rebuked by scripture, to being convicted, to being drawn into the holiness of God for praise and worship,” says Rick.
“I’m just concerned that disembodied AI-generated messages and music may not bring me into the awe-ness of God and how awesome He is because it’s those spirit-inspired things about God that always bring me into worship … and it just seems like if I want to manipulate scripture and manipulate theology, AI sure does give me an easy path in.”
To hear more of Rick’s analysis, watch the full episode above.
Want more from Rick Burgess?
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Abide • Blaze Media • Christianity • Conversion • Faith • Lifestyle
Malcolm Muggeridge: Fashionable idealist turned sage against the machine

“The depravity of man is at once the most empirically verifiable reality and the most intellectually resisted fact.”
The name of the man who made this pronouncement may not mean much to many readers now. Yet the world he warned about has arrived all the same, whether his name is remembered or not.
When Malcolm Muggeridge — a British journalist and broadcaster who became a public figure in his own right — died in 1990, many of his fears still felt abstract. The moral strain was visible, but the structure was holding. Progress was spoken of with confidence, and freedom still sounded uncomplicated.
‘I never knew what joy was until I gave up pursuing happiness.’
Today, those assumptions lie in pieces. What he distrusted has hardened into dogma. What he questioned has become unquestionable. We are living amid the consequences of ideas he spent a lifetime probing.
Theory meets reality
Muggeridge was never dazzled by modern promises. He distrusted grand schemes that claimed to perfect humanity while refusing to reckon with human nature. That suspicion wasn’t a pose; it was learned. As a young man, he flirted with communism, drawn in by its certainty and its language of justice. Then he went to Moscow. There, theory met reality.
What he encountered was not liberation but deprivation. Hunger was rationalized as hope. Cruelty came wrapped in benevolent language. Compassion was loudly proclaimed and quietly absent. The experience cured him of fashionable idealism for life. It also taught him something harder to accept: Evil often enters history announcing itself as virtue, and the most dangerous lies are told with complete sincerity.
That lesson stayed with him. In an age once again thick with certainty, that insight feels uncomfortably current.
Pills and permissiveness
Yet Muggeridge’s critique extended beyond politics. At heart, he believed the modern crisis was spiritual. God had become an embarrassment, sin a diagnosis, and responsibility something to be displaced by grievance. Pleasure, once understood as a byproduct of order, was recast as life’s purpose. The result, he argued, wasn’t freedom but loss.
This realism shaped his opposition to the sexual revolution. Long before its consequences were obvious, he warned that freedom severed from restraint wouldn’t liberate people so much as hollow them out. He mocked the belief that pills and permissiveness would deliver happiness. What he anticipated instead was loneliness, instability, and a culture increasingly medicated against its own dissatisfaction.
Muggeridge also understood the media with unsettling clarity. As a journalist and broadcaster, he watched newsrooms trade substance for spectacle and truth for approval. When entertainment becomes the highest aim, he warned, reality soon becomes optional.
By the end of his career, Muggeridge had dismantled nearly every modern promise. Fame proved thin. Desire disappointed. Professional success brought no lasting peace. Skepticism could clear the ground, but it could not explain why nothing worked.
A skeptic stands down
When after more than a decade of exploring Christianity, Muggeridge finally entered the Catholic Church in 1982, the reaction among his peers was disbelief bordering on embarrassment. This was not the impulse of a sentimental seeker but of one of Britain’s most famous skeptics — a man who had mocked piety, distrusted enthusiasm, and made a career of puncturing illusions.
Friends assumed it was a late-life affectation, a theatrical flourish from an aging contrarian. Muggeridge himself knew better. He had not converted because Christianity felt safe or consoling, but because, after a lifetime of alternatives, it was the only account of reality that still made sense.
As he had written years before in “Jesus Rediscovered,” “I never knew what joy was until I gave up pursuing happiness.”
That sentence captures the logic of his conversion. Muggeridge did not arrive at faith through nostalgia or temperament. Christianity did not flatter him. It named pride, lust, and cruelty plainly, then offered grace without euphemism. It explained the world he had already seen — and himself within it.
RELATED: Chuck Colson: Nixon loyalist who found hope in true obedience
Washington Post/Getty Images
Truth endures
His Catholicism was not an escape from seriousness but its culmination. He believed human beings flourish within limits, not without them; that desire requires direction; that pleasure without purpose corrodes. Christianity endured, he argued, not because it was comforting but because it was true.
After his conversion, Muggeridge did not soften. He sharpened. The satire retained its bite. The warnings grew more direct. But they were no longer merely critical. Skepticism had given way to clarity — not because he had abandoned reason, but because he had finally stopped pretending it was enough.
More than three decades after his death, Muggeridge’s voice sounds less like commentary than like counsel. The world he warned about has arrived. What remains is the stubborn relevance of faith grounded in reality — and the freedom that comes only when truth is faced, rather than fled.
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Carlos Alcaraz’s quest for 1st Australian Open title stays on course

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Alex Eala at the Philippine Women’s Open: Schedule and Draw

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