Day: November 2, 2025
Riot, repeat: How America’s unrest became a bad rerun
History doesn’t just move forward — it echoes. Karl Marx once said history repeats itself, “first as tragedy, second as farce.” He meant it as a jab at 19th-century France, where Napoleon’s nephew attempted to replicate his uncle’s revolutionary drama not on the battlefield but rather through bureaucratic spectacle. Nevertheless, Marx’s insight fits modern America. Our cycles of unrest and outrage have become predictable theater — each act beginning with moral panic and ending in absurdity.
The summer of 2020 was a national trauma. The killing of George Floyd was a tragedy that radicals turned into revolution. Riots swept through more than 2,000 cities, torching businesses, destroying neighborhoods, and leaving dozens dead. Egged on by the race-baiting activists at Black Lives Matter, mobs looted stores, assaulted police, and terrorized communities.
The line between tragedy and farce is thinner than ever — and this time, we can’t afford to play the fool.
Media outlets downplayed the carnage as “fiery but mostly peaceful.” Political leaders joined the chorus, afraid to confront the mob. Corporate America rushed to signal its virtue by taking the knee, pouring billions into “racial equity” schemes that enriched activists but divided the country.
The real tragedy wasn’t just the damage — it was the betrayal. Spineless mayors and governors surrendered their cities. Police were handcuffed, budgets gutted, and criminals emboldened. The riots hollowed out public trust, replacing civic order with cultural resentment. America’s guardians became scapegoats, and justice itself became negotiable.
From riot to parody
Five years on, the rebellion has devolved into a pathetic sideshow. Antifa’s latest “resistance” — a handful of masked agitators harassing Immigration and Customs Enforcement agents as they carry out long-overdue deportations — feels less like revolution and more like performance art.
Their vandalism is designed for TikTok, not for change: laser pointers at officers, graffiti on walls, choreographed scuffles for social media. It’s a boutique insurgency — staged in deep-blue enclaves, broadcast for dopamine hits, and forgotten the next day.
The chaos of 2020 burned cities. The tantrums of 2025 barely dent a precinct wall. The tragedy has become farce.
Still, both movements spring from the same poisoned root: a left-wing ideology that despises America’s foundations. BLM targeted police as enforcers of “white supremacy.” Antifa brands border agents as fascists for upholding immigration law.
Both rely on the same tactics — decentralized mobs, anonymous online organizing, and emotional manipulation amplified by social media. Both seek power through grievance, not through persuasion. And both reveal how progressive rage, unmoored from reality, becomes self-parody.
In 2020, rioters burned precincts and seized city blocks. They demanded “defund the police” and got it — along with record crime rates and broken neighborhoods. In 2025, their heirs spray-paint slogans and livestream tantrums. Their only victory is visibility.
The digital theater of rage
Social media turned riots into content. In 2020, doctored clips of “police brutality” fueled nationwide hysteria, empowered anti-cop lunatics, and enriched grifters. Today, the same algorithms push Antifa’s posturing, turning vandalism into viral spectacle.
These platforms profit from outrage. They amplify emotion, suppress context, and reward hysteria. The result is a feedback loop of performative politics — activism as cosplay.
After years of indulgence, government crackdowns have finally returned. ICE operates under firm executive backing. Local police departments no longer hesitate to enforce the law. The radicals, once protected, now find themselves exposed and outmatched.
But even as law enforcement regains its footing, the left’s playbook remains unchanged. The grievances are repackaged, the slogans recycled, the media coverage predictable. It’s cultural Marxism with a TikTok filter — ideology as entertainment.
Farce doesn’t mean harmless. Every protest turned stunt still corrodes civic life. Each viral act of defiance feeds distrust in law, borders, and the rule of order itself.
The radicals thrive on illusion: fake oppression, fake urgency, fake rebellion. Meanwhile, real Americans bear the cost — higher crime, divided communities, and institutions too timid to defend themselves.
RELATED: The left’s costume party: Virtue signaling as performance art
Photo by serazetdinov via Getty Images
The lesson we refuse to learn
The tragedy of 2020 proved that surrendering to the mob invites ruin. The farce of 2025 shows that ridicule alone isn’t enough to defeat it. Both demand resolve — the courage to confront lies, restore order, and defend the institutions that safeguard freedom.
History doesn’t stop repeating itself; it stops being repeated. Whether America ends this cycle depends on whether its citizens choose firmness over fear, enforcement over appeasement, and truth over spectacle.
Enough with the doctored outrage porn. The burning question is whether we’ll tolerate this clown show recycling into catastrophe or crush it with resolve that honors real American values.
The line between tragedy and farce is thinner than ever — and this time, we can’t afford to play the fool.
The Robertsons open up about pornography: Childhood exposures and the road to freedom
On a recent episode of “Unashamed,” the Robertson brothers and Zach Dasher dove headfirst into the infamous P-word.
Pornography has become an epidemic that enslaves millions and millions of people, most often boys and men. While it’s technically been around for millennia, the digital age has brought porn into the mainstream and made it nearly impossible to avoid. It’s on our televisions; it’s on our phones; even artificial intelligence has fused with the industry in ways that can only be described as sick and depraved.
Today, many boys are exposed to porn long before they hit puberty.
Al, who grew up in an era where pornography was still confined to magazines, says he first encountered it at a “very young” age — “probably 7 or 8 years old” — while living next door to the bar Phil owned and operated before his radical conversion to Christianity. This early exposure caused Al to struggle for years, even into his marriage.
Zach Dasher has a similar story. When he was just 11 years old, his friend’s older brother put on an adult movie with the intention of introducing the younger boys to pornography. Years later, Zach learned from renowned Christian counselor Dr. Trent Langhofer that exposure to pornography before puberty has “the same effect on you as being sexually molested.”
“It made a lot of sense to me because that was an imprint in me that I dealt with for years. … I think that that early exposure probably set me on a trajectory of sin for many years,” he says.
Jase, who was lucky enough to avoid exposure in his early years, says that he sees pornography as an issue that roots back to creation. God created Adam and said, “It’s not good for the man to be alone,” so out of His kindness, He created Eve and subsequently marriage and sex. Pornography, however, is a perversion of God’s good design.
Not only does it isolate man, which God already said wasn’t good, it also taints his view of reality, and harms his relationships, especially the one with his wife, Jase explains.
Al says something that helped him think differently about pornography was having his own daughters and wrestling with the reality that every girl on a magazine page or a screen is not only someone’s daughter but also an image bearer of God. “You start thinking like Jesus thinks,” he says.
Zach found freedom in not just learning the truth but by taking action. Accountability was key in helping him break the cycle. Confession is the first step, he says, and if you’re married, it needs to be to your wife. “Now you’ve got skin in the game,” he says.
“And then after the confession, you have to find new rhythms … we are what we consume.”
“If you consume something different, then you will become something different. You will worship what you behold. And so if you’re beholding entertainment, then that’s what you will eventually begin to worship,” he warns.
Freedom is “truth coupled with discipline.”
To hear more of the panel’s honest conversation, watch the episode above.
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