
Can conservatives reclaim pop culture?
Photo by Mario Tama/Getty Images
Retaking Hollywood
The real X factor may be AI run wild. Conservative artists don’t have the same access to cash that liberals possess. What if a savvy libertarian could create a film via AI, post it on YouTube or Rumble, and rock the culture without breaking the bank? How might that even the culture wars in ways the modern left can’t stop?
Conservatives still have a long, long way to go. Far-left auteur Aaron Sorkin revisits Jan. 6 in the upcoming “The Social Reckoning,” a movie sure to gin up Oscar buzz and endless fawning press coverage following its Oct. 2026 release. It is one of many projects that subscribe to a hard-left perspective.
Take this year’s “One Battle After Another,” a morally warped love letter to anti-government violence. It’s the odds-on favorite to win the Best Picture Oscar come March. Another Oscar darling is “No Other Choice,” director Park Chan-wook’s anti-capitalist screed.
Plus, the Hollywood press will cover most right-leaning entertainment projects in a negative light, hoping to keep pop culture firmly in the hands of progressives. Remember how reporters raged against “Sound of Freedom,” a film cheering efforts to stop child sex traffickers? That movie wasn’t conservative or faith-based, but some assumed it was one or both, and that was enough for media outlets to both pounce and seize on it.
And for every rebel documentary like “The Fall of Minneapolis,” “Am I Racist?” or “October 8,” there are dozens promoting hard-left agendas. The existing Tinseltown infrastructure nurtures and promotes left-leaning stories and storytellers.
That won’t be easy to duplicate, let alone compete against.
Team Ellison will face overwhelming pressure to reject right-leaning impulses from Democrat politicians, media platforms, and garden-variety progressives. It could end up easier for Ellison and company to go along with Hollywood’s liberal orthodoxy than to effect real change.
Or Ellison could see this moment as the perfect time to perform an ideological pivot. The days of ignoring, if not insulting, half the country no longer makes business sense. It’s show business, after all.
And at last that half of the country finally has some storytellers to call its own.
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