The left’s ‘fascism’ routine is a permission slip for violence
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The alleged assassin who murdered Charlie Kirk in September, who was involved in a relationship with a transsexual, had come to believe that Kirk and other conservatives who criticized the overreach of trans radical activism were such a deadly threat that only lethal force was appropriate. He wrote anti-fascist messages on the casings of the bullets he used.
None of this is a surprise in a culture in which American nationalism is seen as the equivalent of Nazism and violent attacks against the Trump administration and its supporters are cheered on and encouraged. And it is not just the explicitly political media that embraces this insanity.
Witness the response to “One Battle After Another,” the recent film by Paul Thomas Anderson, loosely based on Thomas Pynchon’s novel “Vineland.” Starring Leonardo DiCaprio and Sean Penn, the film cheerleads for a radical anti-fascist terrorist organization as they wage war on American police and immigration forces. Penn is cast in a stupendously comical role as a caricature of which the left never tires: He is a military figure and a white supremacist who nonetheless is sexually attracted to nonwhites. All of the admirable figures in the film are revolutionary terrorists. The response by critics in the mainstream media has been a virtually unanimous cheer.
We are in a dangerous place. Leftist radicals are giving no indication of cooling their rhetoric — or their actions.
Buckle up. It is going to get rougher before it gets better.
Editor’s note: This article appeared originally at the American Mind.
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