Author: mfnnews
Trump’s primary endorsements are sabotaging his own agenda
Imagine what the Republican Party would have looked like had President Trump been endorsing conservative reformers down-ballot rather than milquetoast RINOs backed by special interests for five consecutive cycles.
In 2016, President Trump stormed the corporatist castle of the country-club GOP. But over the next five election cycles, he pulled up the rope ladder behind him. He left the reinforcements outside the gates, which crushed his ability to deliver on his promises in his first term. It also allowed generic Republicans to ride his brand while drifting away from his original America First message.
Conservatives understand that competition improves a product. When Trump protects incumbents from primary pressure, he guarantees that the party never improves.
Now he is making the same mistake in his second term by backing status-quo, corporatist Republicans in key races.
2026 is do or die
The opening months of 2026 should be the Super Bowl of primaries for the right. Vulnerable establishment Republicans and open seats sit on the board across solid red states — for Senate and governor.
Even if Republicans struggle in swing states, Trump could still lock in a generation of red-state power by backing grassroots conservatives in open seats and insurgents challenging weak incumbents.
Instead, he keeps yanking the rug out from under his own base.
Louisiana bait and switch
Over the weekend, the president endorsed Rep. Julia Letlow (R-La.) for U.S. Senate in Louisiana. Until now, Trump has refused to back conservatives against incumbents — except when he endorsed against Freedom Caucus Chairman Rep. Bob Good of Virginia in 2024.
So yes, Trump finally moved against Sen. Bill Cassidy, a pro-COVID-vaccine liberal wasting a conservative seat. But he waited until more conservative candidates — state Treasurer John Fleming, state Sen. Blake Miguez, and state Rep. Julie Emerson — softened Cassidy up. Then Trump picked a challenger who matches Cassidy’s worldview in a prettier package.
Letlow sides with Cassidy on government-run health care and the COVID vaccines. She also voted against penalizing FDA officials for unlawfully expanding access to mifepristone. Trump carried Louisiana by 22 points and won 57 of 64 parishes. He could have used his clout to elect a conservative stalwart like Miguez. Instead, he chose another version of the same problem.
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Photo by Andrew Harnik/Getty Images
Governors matter now
If Democrats regain Washington, governors become the last real barrier against federal abuse. Red-state governors will matter more than ever, especially if Democrats install a weaponized Gavin Newsom-style agenda at the national level.
After Ron DeSantis turned Florida from swing state into the red-state model, Republicans should be building an entire bench of governors who make even DeSantis look tame. But Trump’s endorsement habits keep locking in mediocrity. In Florida, he is backing Byron Donalds — a favorite of the legislative RINOs who fought DeSantis for years.
Fourteen governorships are up in states Republicans should win even in a rough year: Alabama, Alaska, Florida, Iowa, Idaho, Kansas, Nebraska, Ohio, Oklahoma, South Carolina, South Dakota, Tennessee, Texas, and Wyoming. Trump hasn’t made one bold, movement-building endorsement as he did with DeSantis in 2018. Instead, he has already pre-emptively endorsed Idaho Gov. Brad Little for a third term and Texas Gov. Greg Abbott for a fourth.
Texas betrayal rewarded
Trump has started interfering even in state legislative races. In Texas, Republicans cut a deal with Democrats and installed Dustin Burrows as speaker against the will of most of the party. Burrows rewarded them by handing committees to Democrats and killing conservative priorities.
When conservatives moved to defeat the traitors, Trump carpet-bombed the effort by endorsing Burrows and his lieutenants for re-election.
Conservatives understand that competition improves a product. Trump keeps canceling that competition. When he protects incumbents from primary pressure, he guarantees that the party never improves.
’28 Years Later: The Bone Temple’ brings new life to horror franchise
Like the post-apocalyptic Britain of the “28 Days Later” franchise, Hollywood has become a wasteland, teeming with the stripped-down, lethally efficient shells of once-vital creations. Nostalgia-driven reboots swarm the multiplex, satisfying audience cravings for familiarity and studio appetites for certainty — even as they leave the surrounding creative landscape increasingly barren.
This year’s “28 Years Later” could just as easily have been another of these living-dead productions. While previous installment “28 Weeks Later” (2007) — made with nominal participation from the original creative team — delivered competent scares, it hardly cried out for a follow-up.
The movie is littered with British cultural references — decontextualized and repurposed by survivors struggling to find meaning in a world they no longer understand.
But the return of director Danny Boyle and writer Alex Garland proved worth the wait. “28 Years Later” demonstrated that this universe could still surprise, ending with a tantalizingly bizarre coda in which our hero Spike is rescued by Sir Lord Jimmy Crystal (Jack O’Connell) and his blonde-wigged, track-suited minions. Clearly the infected are not the only menace stalking the British countryside.
Charity cases
“28 Years Later: The Bone Temple” picks up right after this moment, confirming our suspicions that Spike’s troubles have just begun. After a gruesome kind of initiation, Spike is forcibly enlisted as one the “Jimmys,” who turn out to be a gang of satanic killers. Led by Jimmy Crystal, who believes himself to be the son of “Old Nick,” they prowl the land inflicting gruesome ritualized violence — which they call “charity” — on those unfortunate enough to meet them.
While Garland returns as screenwriter, Boyle (who stays on as producer) cedes the director’s chair to Nia DaCosta, whose striking use of lingering close-ups and tightly framed compositions inject the film with a raw, anarchic energy. The result is a legacy sequel that both pays homage to its origins and reimagines them — one that weaves graphic violence together with incisive observations on culture, faith, and survival in a world irreversibly altered by catastrophe.
Doctor Sleep
Many of those observations come straight from the kindly and philosophical Dr. Ian Kelson (Ralph Fiennes), an eccentric recluse who provided shelter for runaway Spike and his dying mother in “28 Years Later.” In this grisly sequel, the iodine-covered, blowdart-wielding former physician is searching for a cure to the rage virus, using an infected “alpha” zombie — whom he names Samson — as his pet project.
He also continues work on the titular bone temple, a memorial to the outbreak’s victims, until his optimism and ingenuity is tested by the new and horrifying human adversary we met in the beginning.
While Boyle’s 2002 film focused on urban chaos, this installment widens its lens, exploring the virus’ impact across the countryside while delving into deeper philosophical terrain. Beneath the skin-flaying, stabbings, “Mortal Kombat”-style spine removals, and Iron Maiden needle drops lies a poignant meditation on a once-beautiful country sliding into social and spiritual decay.
This is England
DaCosta, an American director, deftly preserves the distinctly English identity of the original films. The movie is littered with British cultural references — decontextualized and repurposed by survivors struggling to find meaning in a world they no longer understand.
The Jimmys, with their blonde wigs, tracksuits, and gold jewelry, are intentionally modeled after Jimmy Savile, one of Britain’s most notorious sex offenders. In this universe — where society collapsed in 2002, years before Savile’s real-world crimes were exposed — the cult reveres him as a benevolent, almost mythical figure. Their so-called acts of “charity” grotesquely invert Savile’s public image of philanthropy, turning it into a rationale for cruelty and sadism.
The dynamic between Sir Jimmy and Kelson is magnetic. O’Connell and Fiennes deliver outstanding performances, moving seamlessly between surrealism and melancholy. Some of the film’s most compelling moments occur when these two simply share the screen in conversation.
Sir Jimmy and Kelson represent competing philosophies of survival. In desperate times, humanity creates belief systems — sometimes as tools of power, sometimes as mechanisms of self-preservation. Through these two figures, Garland weaves a thoughtful exploration of evil, faith, and meaning.
RELATED: ‘28 Years Later’: Brutal, bewildering, and unabashedly British
Tim P. Whitby/Getty Images
Feral faith
Religious symbolism runs throughout the film. The Jimmys repurpose Savile’s catchphrase “Howzat!” as a ritual chant — stripped of its original meaning and reconstituted as a signifier of violence. Kelson, meanwhile, assumes the role of a secular creator. His humanist liturgy centers on music and literature, which function as sacred texts connecting him to the past and preserving his sanity.
Samson’s transformation becomes an allegory for rebirth: emerging from the hell of infection into renewal. Where the biblical Adam becomes aware of his nakedness after eating from the tree of knowledge, Samson’s recovery inspires modesty as he clothes himself with memories of his return. It is the Fall in reverse — self-awareness as ascension, rebirth without grace.
“The Bone Temple” manages to inject genuine life into a franchise nearly 25 years old. I may regret saying this, but I am genuinely curious to see where the story goes next — especially with Boyle returning to direct the third and final installment. The film’s closing scene teases the return of a familiar face, and John Murphy’s fuzzed-out guitar theme suggests that hope remains, for both the survivors and the fans.
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