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Kids have already found a way around Australia’s new social media ban: Making faces

The liberal-dominated Australian parliament passed an amendment to its online safety legislation last year, imposing age restrictions for certain social media platforms.
As of Dec. 10, minors in the former penal colony are prohibited from using various platforms, including Facebook, Reddit, Snapchat, TikTok, X, and YouTube — platforms that face potential fines exceeding $32 million should they fail to prevent kids from creating new accounts or from maintaining old accounts.
Australian kids were quick, however, to find a workaround: distorting their faces to appear older.
‘They know how important it is to give kids more time to just be kids.’
Numerous minors revealed to the Telegraph that within minutes of the ban going into effect, they were able to get past their country’s new age-verification technology by frowning at the camera.
Noah Jones, a 15-year-old boy from Sydney, indicated that he used his brother’s ID card to rejoin Instagram after the app flagged him as looking too young.
Jones, whose mother supported his rebellion and characterized the law as “poor legislation,” indicated that when Snapchat similarly prompted him to verify his age, “I just looked at [the camera], frowned a little bit, and it said I was over 16.”
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Australian Prime Minister Anthony Albanese. Photo by DAVID GRAY / AFP via Getty Images.
Jones suggested to the Telegraph that some teens may alternatively seek out social media platforms the Australian government can’t regulate or touch.
“Where do you think everyone’s going to?” said Jones. “Straight to worse social media platforms — they’re less regulated, and they’re more dangerous.”
Zarla Macdonald, a 14-year-old in Queensland, reportedly contemplated joining one such less-regulated app, Coverstar. However, she has so far managed to stay on TikTok and Snapchat because the age-verification software mistakenly concluded she was 20.
“You have to show your face, turn it to the side, open your mouth, like just show movement in your face,” said Macdonald. “But it doesn’t really work.”
Besides fake IDs and frowning, some teens are apparently using stock images, makeup, masks, and fake mustaches to fool the age-verification tech. Others are alternatively using VPNs and their parents’ accounts to get on social media.
The social media ban went into effect months after a government-commissioned study determined on the basis of a nationally representative survey of 2,629 kids ages 10 to 15 that:
- 71% had encountered content online associated with harm;
- 52% had been cyberbullied;
- 25% had experienced online “hate”;
- 24% had experienced online sexual harassment;
- 23% had experienced non-consensual tracking, monitoring, or harassment;
- 14% had experienced online grooming-type behavior; and
- 8% experienced image-based abuse.
Australian Prime Minister Anthony Albanese said in a statement on Wednesday, “Parents, teachers, and students are backing in our social media ban for under-16s. Because they know how important it is to give kids more time to just be kids — without algorithms, endless feeds and online harm. This is about giving children a safer childhood and parents more peace of mind.”
The picture accompanying his statement featured a girl who in that moment expressed opposition to the ban.
The student in Albanese’s poorly chosen photo is hardly the only opponent to the law.
Reddit filed a lawsuit on Friday in Australia’s High Court seeking to overturn the ban. The U.S.-based company argued that the ban should be invalidated because it interfered with free political speech implied by Australia’s constitution, reported Reuters.
Australian Health Minister Mark Butler suggested Reddit was not suing to protect young Aussies’ right to political speech but rather to protect profits.
“It is action we saw time and time again by Big Tobacco against tobacco control, and we are seeing it now by some social media or Big Tech giant,” said Butler.
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Portland man allegedly lured 15-year-old girl from public library and raped her for days, police say

A 15-year-old girl told police that a man lured her from the Multnomah County Central Library in downtown Portland to a hotel, where he repeatedly raped her, according to court records.
On Saturday, a witness called police after seeing the girl appearing to be distraught in the downtown area, and when police questioned her, she said she had escaped her captor.
Court records state that she told him she was 15, and he replied, ‘No one has to know.’
She said the man had returned her to the library that day, and she was able to escape after saying she had to go to the bathroom.
Police went to the library and identified a suspect as 23-year-old Nicholas Matthew Tull.
The girl was a runaway and said she met Tull at the library three days earlier, where he offered to give her shelter in exchange for sex. When they went to a nearby hotel, he allegedly kept her against her will and sexually assaulted her for three days.
Tull was arrested, and the girl was treated at a medical center. She also underwent sexual-assault testing.
Court records state that she told him she was 15, and he replied, “No one has to know.”
Police said they were able to recover her purse from his property.
Court records show that Tull has been charged with three counts of first-degree rape, first-degree unlawful sexual penetration, three counts of first-degree sexual abuse, coercion, and luring a minor.
A local resident told KPTV-TV that there were a lot of problems at the library.
“I’ve noticed a lot of people on drugs, maybe houseless,” Lorenzo Stroud said. “I see a lot of problems, but I see the library people and the security doing a good job of de-escalating rather than being overly aggressive.”
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‘The Case for Miracles’: A stirring road trip into the heart of faith

Lee Strobel doesn’t mind those who question his midlife Christian conversion.
Strobel’s shift from an atheist to rock-ribbed Christian came to life in 2017’s “The Case for Christ.” The film, based on his life story, showed how Strobel’s efforts to debunk the resurrection of Jesus Christ as the legal editor of the Chicago Tribune had the opposite effect.
‘There is evidence that points — compelling [evidence] — to the truth of biblical miracles and contemporary supernatural encounters. I’m not afraid of that.’
He says his shoe-leather reporting confirmed the resurrection. Looking back, Strobel tells Align his change of heart ruffled some professional feathers.
“After I became a Christian at the Chicago Tribune, somebody told me later that they overheard somebody in the newsroom say, ‘What happened to Strobel? He became a Jesus freak, like, overnight,’” Strobel says, laughing.
Miracle miles
Now, Strobel is back on the big screen with “The Case for Miracles,” in select theaters Dec. 15-18 via Fathom Entertainment. The film finds Strobel and director Mani Sandoval hitting Route 66 in an old Ford Bronco to swap stories and reflect on modern-day miracles.
Among the most poignant? A young woman with severe multiple sclerosis who is able to leave her hospice bed following a crush of community prayers.
It’s part travelogue, part documentary, and Strobel only wishes he had time to share even more remarkable stories on-screen.
“We had to leave out so many good ones. … We had another case documented by medical researchers … a guy who was healed from a paralyzed stomach,” he says. “He was prayed for, felt an electric shock go through him, and for the first time was able to eat normally.”
“He’s fine to this day,” he adds. “It’s the only case in history of its kind of [someone] spontaneously healed from this stomach paralysis.”
Meeting in the middle
Strobel says the film offers two very different perspectives on modern-day miracles given the key players involved.
“Mani grew up in a Pentecostal home. There was an anticipation that the miraculous would take place,” he says. “I was an atheist [growing up].”
The film is based on Strobel’s 2018 book of the same name, but he hopes the Fathom Entertainment release reaches a broader audience beyond his loyal readers.
“I think that cinema is the language of young people,” he says. “If we want to share this account, this evidence of the miraculous with a young generation, what better way than on the big screen? Among younger people, there’s something about a film that register deeply with them. … We should seize opportunities to communicate to those outside the faith.”
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Creative control
And the timing couldn’t be better. Faith-friendly films and TV shows are all the rage in today’s pop-culture landscape. Think the groundbreaking series “The Chosen,” along with the upcoming “Passion of the Christ” sequel from Mel Gibson.
Both Netflix and Prime Video are producing faith-friendly content, and recent hits like “Jesus Revolution” flexed the power of spiritual stories.
“It satisfies me on a creative level when I see films that deal with very important topics, like the existence in God, in a way that’s creative and that aren’t going to make people cringe but sit forward in their seat and anticipate what’s coming next,” he says.
And that creative explosion has only begun, Strobel predicts.
“In three, four, or maybe five years, we’re gonna see stuff where we say, ‘Oh, I never thought of doing that,’” he says of the genre.
The incredible made credible
Strobel isn’t a filmmaker by trade. He’s a busy writer, having penned more than 40 books that have been translated into 40 languages.
Strobel, like the late Charlie Kirk, doesn’t mind interacting with skeptics on- or off-screen. He welcomes it. The book on which “The Case for Miracles” is based starts with an extended dialogue with noted atheist Michael Shermer.
Strobel eventually befriended Shermer, who has a cameo in the film version of “Miracles.”
“I let him have his say,” he says of their early exchanges. Strobel is confident in his faith and the miracles he sees flowing through it.
“There is evidence that points — compelling [evidence] — to the truth of biblical miracles and contemporary supernatural encounters,” he says. “I’m not afraid of that.”
For Strobel, a miracle requires four key elements:
- Solid medical documentation;
- Multiple, credible eyewitnesses who have no motive to deceive;
- A lack of natural explanation; and
- An association with prayer.
Meet all four requirements, he says, “and maybe something miraculous is going on.”
Strobel doesn’t mind that some of his former colleagues may question his religious conversion. He’s comforted by the fact that he has company in that regard.
“I’ve seen so many journalists coming to faith. … I think God is stirring something in the culture right now,” he says.
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