Category: The Washington Free Beacon
Melania Trump’s top 7 fashion moments of 2025
Although she rarely takes center stage, Melania Trump’s fashion always stands out.
The former model turned first lady is no stranger to a show-stopping look. Whether it’s her signature six-inch stilettos or a regal black-tie gown, Melania has donned many memorable outfits throughout 2025. Here are seven of her best looks so far.
7. Commander in chic
White House Press Pool/Getty Images
Melania sported a classy pinstripe skirt suit at the military parade over the summer, paired with a gray satin pump. The pinstripe’s color is inverted from black with white stripes to a subtle cream color with darker stripes, providing a summery twist on a beloved classic.
The choice of a skirt suit over a pant suit is a refreshing choice that contrasts with the professional attire of working women in Washington. The tailoring flatters her figure without overly exaggerating her contours, making for a simple yet stunning ensemble.
6. Burberry bound
Photo by SAUL LOEB/AFP via Getty Images
En route to an oversees trip to the United Kingdom, Melania wore a gorgeous Burberry trench coat, undoubtedly a nod to British fashion and craftsmanship. The floor-length silhouette and popped collar add dramatic flair to a classic coat, paired with oversized sunglasses for a true model-off-duty look.
Melania’s brushed-back, low ponytail softly frames her face while still letting the coat speak for itself. A stark contrast from the casual airport clothes most Americans are used to, Melania’s travel outfit balances effortlessness with classic style.
5. Cheetah girl
Photo by Chip Somodevilla/Getty Images
A true veteran of the fashion industry, Melania knows when to take a risk and how to pull it off. Melania flaunted a fabulous leopard coat during the 2025 International Women of Courage Award Ceremony, flawlessly utilizing a bold print as a sort of neutral.
The warm brown tones of the coat complement her hair color and complexion, making for a soft interpretation of an otherwise bold print. The print itself is also small enough to remain eye-catching without being distracting. Leopard print made a comeback in 2025, but it has arguably always been a fashion-forward classic, just like much of Melania’s timeless wardrobe.
4. Lace and lawmakers
Shawn Thew/EPA/Bloomberg via Getty Images
Melania is known for her elegant play on suit wear, and this black lace ensemble from the 2025 White House Congressional Ball is no exception. Melania’s feminine take on a traditionally masculine suit features a soft velvet coat contrasted with satin lapels and an intricate yet modest lace undershirt (Lauren Sanchez, take notes).
Melania understands that the challenge is not just to find a fashionable outfit, but to find one that also flatters her features. The subtle but effective femininity of the suit pairs beautifully with her golden cascading hair, yet another indicator of Melania’s impeccable fashion instincts.
3. Suede sisters
Photo by Yui Mik – WPA Pool/Getty Images
Melania knows how to dress for the occasion, perfectly complementing Kate Middleton, the princess of Wales, during an overseas visit in the English countryside. The neutral color palette and suede coat put on display the perfect balance between classic, Ralph Lauren-esque Americana and traditional British outerwear.
Once again taking into consideration her complexion, the camel-colored coat pairs beautifully with her warm-toned hair and creme-colored trousers, making for an incredibly chic ensemble.
2. Inaugural icon
Tierney L. Cross/Bloomberg via Getty Images
Easily one of her most iconic looks was from one of her first public appearances in 2025 during her husband President Donald Trump’s inauguration. The sleek navy skirt suit with matching stilettos were beautiful pieces on their own, but the star of the show was her eye-catching headwear that made several headlines.
Melania’s wide-brimmed hat was often paired with a demure grin or a quick glance that dazzled photographers and attendees alike. This stylish showstopper is one of her many looks that simply speaks for itself.
1. Emerald alliance
Photo by Chip Somodevilla/Getty Images
Melania’s best look in 2025 was an emerald-green floor-length gown she wore while the White House hosted Crown Prince and Prime Minister Mohammed bin Salman of Saudi Arabia. The color choice is undeniably stunning as is the silhouette of the strapless gown.
The delicate ruching throughout the front of the gown elongates and flatters her figure beautifully without appearing too showy (again, Lauren Sanchez, take notes). The slight sheen of the fabric adds just the right glamorous touch to the jewel-toned dress and matching pumps. Melania’s elegance and class shine most in this gown.
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Forget ‘Die Hard’ — ‘Brazil’ is the ultimate Christmas movie
The cultural powers that be determined long ago that a film needn’t deal directly with the Nativity of our Lord and Savior to qualify as a “Christmas movie.”
Many films apparently qualify simply by virtue of their plot events’ proximity to December 25, their festive backdrops, and their occasional visual reference to Coca-Cola Claus, starred pines, and/or the birth of God.
In a way, the Christmas imagery does visually what the movie’s eponymous theme song does sonically: tease at something lovely and wonderful beyond the nightmare.
Rest assured as the bare-footed cop wastes German terrorists at his estranged wife’s office party; as the two burglars repeatedly fall prey to an abandoned adolescent’s mutilatory traps; and as the inventor’s son unwittingly turns his Chinatown-sourced present into a demon infestation — these are indeed Christmas movies.
Given the genre’s flexible criteria, Terry Gilliam’s 1985 masterpiece “Brazil” also qualifies.
State Santa
In truth, the Python alumnus’ film about a bureaucrat’s maddening investigation of his totalitarian government’s execution of the wrong man is a far stronger entry than “Die Hard,” “Home Alone,” “Gremlins,” and other such flicks.
Not only is there Christmastime imagery throughout, but such visuals are also of great importance, providing insights both into the treachery of the film’s principal antagonist — the state — as well as into what appears missing in Gilliam’s dystopian world.
In the opening scene, a man pushes a cart full of wrapped presents past a storefront window framed by tinsel and crowded with “Merry Christmas” signage, television sets, and baubles.
Next we enter an apartment where a mother reads “A Christmas Carol” to her daughter, a father wraps a present, and a boy plays at the foot of a well-dressed evergreen.
After numerous scenes featuring gift exchanges, mutterings of “Happy Christmas,” and Christmas trees, we meet a kindly faced man dressed as Santa.
Jingle hells
This is, however, no feel-good Christmas movie.
The storefront window is firebombed.
Armored police storm into the family’s apartment, jab a rifle in the father’s gut, and take him away in a bag while his wife screams in horror.
The gifts exchanged and piling up throughout the film — besides the offers of job promotions and plastic surgery — appear to all be versions of the same novelty device, a meaningless “executive decision-maker.”
The kindly faced man dressed as Santa is a propaganda-spewing government official who rolls into the protagonist Sam Lowry’s padded cell on a wheelchair to inform Lowry — played by Jonathan Pryce — that his fugitive lover is dead.
With exception to the heart-warming domestic scene interrupted by the totalitarian bureaucracy’s jackboots at the beginning of the film, the Christmas imagery rings hollow and for good reason.
Extra to dehumanizing workplaces, purposefully meaningless work, bureaucratic red tape, and paperwork that’s so bad it ends up killing Robert DeNiro’s character — at least by the tortured protagonist’s account — the regime’s population-control scheme relies on consumerism.
The regime has, accordingly, done its apparent best to empty Christmas of the holy day’s real significance and meaning, donning it as a costume to sell and control.
RELATED: Santa Claus: Innocent Christmas fun or counterfeit Jesus?
Beyond the nightmare
“Brazil” is not, however, an anti-Christmas film.
The emptiness of the costume prompts reflection about its proper filling — a reflection that should invariably lead one to Christ.
In a way, the Christmas imagery does visually what the movie’s eponymous theme song does sonically: tease at something lovely and wonderful beyond the nightmare Gilliam once dubbed “Nineteen Eighty-Four-and-a-Half.”
“I had this vision of a radio playing exotic music on a beach covered in coal dust, inspired by a visit to the steel town of Port Talbot. Originally the song I had in mind was Ry Cooder’s ‘Maria Elena,’ but later I changed it to ‘Aquarela do Brasil’ by Ary Barroso,” Gilliam told the Guardian.
“The idea of someone in an ugly, despairing place dreaming of something hopeful led to Sam Lowry, trapped in his bureaucratic world, escaping into fantasy.”
Whereas the recurrent theme from the samba references a fantasy the regime can crush, the various indirect reminders that Christmas is about more than presents and half-hearted niceties reference a hidden truth and source of eternal hope: that God was born in Bethlehem.
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