Category: Culture
Taking the fentanyl challenge: Whacked-out American junkies now big in Japan
The United States’ fentanyl crisis is being mocked on the other side of the planet.
Videos with millions of views show Japanese content creators mimicking a bizarre and all-too-common sight in cities like San Francisco and New York: half-conscious drug addicts bent over sharply at the waist but somehow still standing.
‘Japanese social media influencers are going viral for mocking America’s fentanyl addicts.’
Typically from the effects of heroin or fentanyl, this telltale folded posture has become known as the “fenty fold.”
“Japanese social media influencers are going viral for mocking America’s fentanyl addicts who are often seen hunched over and flailing on the streets,” one user wrote on X. An attached video that showed a young woman in Okinawa, Japan, hunched over has received more than 2.5 million views.
RELATED: How to win the opioid fight
Know when to fold ’em
On TikTok, similar videos have captions like “Bringing American culture to Japan” and show participants folding over in locations typical of American drug addicts, like a subway station. One such video has garnered over 1.2 million views.
Other videos take place in parking garages, city centers, and public parking lots. Most of the viral content uses a Japanese song labeled “Anime Girl,” although the song is actually a combination of the songs titled “Don’t Forget Me” by Schinya and “Sparkle” by Radwimps.
Cleaning up
Drug seizures have increased under the Trump administration, resulting in a slight increase from FY2024 versus FY2025.
However, if FY2026 continues on trend, there will be a significant jump in the amount of annual drugs seized (measured in pounds), according to CBP statistics.
RELATED: Mexico has cartel armies. Blue America has cartel politics.
Photo by Tayfun Coskun/Anadolu via Getty Images
For example, in October 2025, approximately 51,500 pounds of drugs were seized by the federal government. In October 2024, that number was 40,700 and just 37,400 in October 2023 under President Biden.
Overdoses down
Fentanyl, however, represents one of the least confiscated drug types in terms of weight, likely due to its potency. Marijuana, methamphetamines, and cocaine are the most seized by weight, in that order.
At the same time, overdose deaths have significantly dropped in the United States between April 2024 and April 2025. There was a 24.5% decrease during that time period, the CDC reported. The number of overdoses peaked around August 2023 but have since been declining.
Some of the biggest decreases in overdoses have come in states like Louisiana, New Hampshire, New York, West Virginia, and Wyoming.
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Pizza Hut Classic: Retro fun ruined by non-English-speaking staff, indifferent customer service
Pizza Hut Classic is evidence that even if a company gets its branding right, customer service is the oil that keeps the machine running.
Since 2019, Pizza Hut has been spreading its retro vibes across the continent by reintroducing its 1990s decor, design, and dining experience.
‘The interior features cozy red booths and old-school Pizza Hut lamps.’
From Warren, Ohio to Hempstead, Texas, the iconic Pizza Hut chandeliers are being rehung, and the fantastic buffet is being put out once again. According to Chefs Resource, some locations have even brought back the beloved dessert bar.
Slice of life
With the return of the 1974 logo and nostalgic appeal, Pizza Hut did the inverse of Cracker Barrel. Instead of trying to modernize and simplify their decor, the pie-slingers retrofitted and cluttered theirs.
A page called the Retrologist dissected the formula and determined exactly what the word “Classic” in Pizza Hut Classic really means. To meet the new (old) standard, the writer pinpointed that each location must include the following:
1. The old logo is used in pole signage as well as at the top of the (usually but not always) red-roofed restaurant. The pole sign features the addition of the word “Classic.”
2. The interior features cozy red booths and old-school Pizza Hut lamps.
3. Stickers featuring the long-discarded character Pizza Hut Pete are found on the door.
4. Posters feature classic photos from Pizza Huts of yore.
5. A plaque displays a quote from Pizza Hut co-founder Dan Carney, explaining the concept as a celebration of the brand’s heritage.
While many of the revamped locations have received rave reviews, there still exists a way to make such a fine dining experience awful, even if surrounded by everything that made customers flock to the buffet 30 years ago.
RELATED: The ‘rebranding’ brigade’s war on beauty
Photo by Andrew Chapados/Blaze News
Word salad
For a Pizza Hut Classic ruined by modern belief systems, look no farther than north of the border, in the Toronto suburb of Scarborough.
While the restaurant did include the iconic chandeliers and some of the retro furnishings, it did not have old soda fountains or the memorable menus spotted at other locations. Instead, this unique eatery represented a new (low) standard of lackluster customer service, coupled with sprinklings of unfettered immigration policy.
These accommodations, or lack there of, will surely split customers down political lines. Yes, there are retro red Pepsi cups, but the waitress who literally speaks no English may fill that cup with Diet Pepsi with ice instead of “water with no ice.”
Is there a salad bar? Yes. Is the salad bar limited to plain lettuce and croutons? Also yes. Were there pieces of lettuce dropped in the ranch dressing (the only available dressing) for the duration of the visit? Definitely.
RELATED: Cracker Barrel’s logo lives — but like every digital-age public space, it now looks dead inside
Photo by Andrew Chapados/Blaze News
Meat and greet
A steady rotation of cheese, deluxe, and Hawaiian pizza was only broken up by one couple’s complaints about the lack of variety. A manager — also largely unintelligible in her speech — replied first with a refusal to change the rotation. Strangely, about 10 minutes later, she eventually brought out two meat lovers’ pizzas, in an apparent act of defiance.
The damaged seating in the restaurant combined with a chip out of the “Hut” portion of the building’s exterior revealed years-old paint and, along with it, a yearning for more care to be given. A restaurant that could be so nostalgic, but ruined by the apparent comforts of a district that has voted Liberal in its last three federal elections for a woman from the U.K. who holds citizenship in three countries, including Pakistan.
“I wanted to go to a dine-in, because in most places, including the U.K., you can’t do that now,” said reporter Lewis Brackpool, who visited the location. He added, “I come to one, and what do you know — it sucks.”
In at a massive discount due to the exchange rate, Brackpool could not help but feel like many who are from the area: that what had been promised was robbed.
The experience can be summed up in the words of an anonymous would-be customer who, upon seeing a commercial of what a Pizza Hut buffet looked like in the 1990s in comparison to the location in question, said, “They took this from us.”
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American muscle-car culture is alive and well … in Dubai
One of the first things I did when I moved to Dubai was buy a Dodge Challenger. Not the volcanic Hellcat or the feral Scat Pack — the SXT, the V6 base model.
Nevertheless, for those nine months in 2023, the car carried itself like it had seen things it couldn’t legally discuss. I miss it the way a grounded teenager misses his phone — painfully and often. The car was, in many ways, gloriously pointless. But to me, it was absolutely perfect. Nobody buys a Dodge for practicality. You buy one because fun is a dying art and driving is supposed to feel alive.
America insists this is why we can’t have nice things. The UAE shrugs, inhales some shisha, and says, ‘Great, we’ll have them instead.’
What fascinated me then, and still does now, is how the Middle East has quietly become the last stronghold for real American muscle.
Dubai drift
While America agonizes over emissions charts and frets about carbon neutrality, Dubai is out there treating a supercharged V8 like a household appliance. You hear them everywhere — echoing off glass towers, screaming down Sheikh Zayed Road, prowling through parking lots like metal predators looking for prey. It’s the sound of a culture still in love with combustion, unashamed of horsepower, and utterly allergic to guilt.
The region adores these cars. Worships them, even. In the West, muscle cars are increasingly treated like contraband with headlights, monitored by regulators the way principals monitor school corridors. But in the UAE, they’re symbols of power, freedom, excess, and the simple joy of pressing a pedal and feeling physics panic.
The numbers back it up. The UAE’s classic-car market is projected to grow from roughly $1.23 billion in 2023 to nearly $1.83 billion by 2032, with collectors routinely paying well above American estimates. This is particularly true for rare models, such as the 1971 Plymouth Hemi ’Cuda convertible that sold for about $4.2 million in Dubai, roughly 35% above its American estimate.
Men in flowing robes and sandals race around industrial estates with the confidence of emperors and the cornering ability of a wardrobe on wheels. Somehow, by the grace of God (not Allah), it all works. There’s something delightfully surreal about watching a man dressed like he stepped out of the book of Exodus drift a Challenger with monk-like serenity.
Combustion cosplay
Back home, Dodge now calls its new EVs “muscle.” But that’s like a woman getting very expensive surgery in a very private place and calling herself a man. Without the roar, the vibration, the combustion, it’s cosplay — an impersonation that fools no one except the marketing department. You can’t call something a muscle car if it sounds like a dentist’s drill.
Real muscle needs rumble. It needs that primal, throat-deep growl that shakes your sternum and announces your arrival three zip codes away. Take that away, and you’re just a sad sack who should have bought a Tesla and called it a day.
When muscle cars disappear, the loss isn’t just mechanical but cultural. For decades, when the world pictured America, it didn’t picture Washington or Wall Street. It pictured steel, cylinders, and a V8 rumble rolling across a desert highway.
Hollywood hardwired that association into the global imagination. “Bullitt,” “Vanishing Point,” “Smokey and the Bandit,” even the “Fast & Furious” franchise, for all its awful acting and cheese thick enough to insulate a house. I still remember being 8 years old, watching “Gone in 60 Seconds,” and thinking, Yes, this is what adulthood should look like.
You could grow up thousands of miles away, never having set foot on American soil, and still recognize the sound of a Mustang firing up. It was the unofficial anthem of the greatest nation on Earth, a national ringtone encoded in exhaust fumes. It symbolized everything the country loved about itself: rebellion, possibility, the belief that any man with a heavy foot and enough premium gasoline could outrun his problems. It was an identity as much as a mode of transport.
RELATED: ‘Leno’s Law’ could be big win for California’s classic car culture
CNBC/Getty Images
Revvers’ refuge
And that’s the tragedy. A silent America isn’t an America anyone recognizes. The muscle car was more than a vehicle. It was a character, a co-star, an accomplice. Kill it off, and the whole story changes — and not for the better.
And oddly, it’s the Middle East that seems most intent on preserving that myth. It’s as if the region has been appointed the accidental curator of America’s automotive soul. The UAE, in particular, feels like the final refuge where these cars can run wild. Environmental regulations exist there, but only in the same way that scarecrows exist — present, decorative, and cheerfully ignored. The country is spotless, the air somehow clearer than cities that run entire marketing campaigns screaming “sustainability!” And yet it’s bursting with Challengers and Chargers. America insists this is why we can’t have nice things. The UAE shrugs, inhales some shisha, and says, “Great, we’ll have them instead.”
It makes you re-think the demonization of muscle cars. We were told they were barbaric, dirty, irresponsible — rolling catastrophes portrayed as personal hand grenades lobbed at the atmosphere. Meanwhile, Dubai keeps its streets cleaner than half of California while simultaneously hosting enough horsepower to make a U.N. peacekeeper reach for the radio. The contradiction is almost poetic. The place accused of excess manages to be pristine, while the places preaching virtue can’t manage basic cleanliness without a committee and a grant.
Selling sand to a camel
A quick disclaimer for anyone feeling inspired to follow my lead. Dubai might be paradise for muscle cars, but it’s also the Wild West of used-car dealing. A shocking number of “mint condition” imports arrive after being wrapped around a tree somewhere in North America, are given a light cosmetic baptism, and are relaunched onto the market as if they had spent their lives humming gently down suburban streets.
Half the salesmen — greasy, fast-talking veterans from Lebanon, Palestine, and everywhere in between — could sell sand to a camel. You need your eyes open. Fortunately, I knew the sites where you can run a chassis number and see the car’s real history, dents, disasters, and all. It saved me from driving home in a beautifully repainted coffin.
Even with this dark underbelly, Dubai’s affection for American muscle is entirely authentic. You see it on weekend nights at the gas stations, which double as unofficial car shows. Dozens gather, engines idling like caged animals, while men compare exhaust notes with the seriousness of diplomats negotiating borders. Teenagers film everything, because why wouldn’t you document a species this endangered? The entire scene feels like a sanctuary, a place where mechanical masculinity hasn’t been entirely euthanized.
Muscle migration
Some of the funniest moments came from watching Emirati drivers — men dressed in immaculate white garments — exit their cars with Hollywood swagger, as if the Challenger were simply an extension of their personality. And in many ways, it was. It was part “Need for Speed,” part Moses at the Marina. And somehow, without irony, they pulled it off.
Living there made me realize that muscle cars aren’t dying everywhere. Rather, they’re migrating. Fleeing the jurisdictions that shame them and settling in regions that still celebrate joy. The Middle East has become the last refuge for these beasts. Not because it rejects the future, but because it refuses to surrender the past for a machine that feels clinically dead on delivery.
And that’s the real tragedy. America built the muscle car, mythologized it, exported it, then surrendered it to paper-pushers in Priuses, armed with clipboards and calculators. The UAE bought the export and kept the myth alive. My Challenger is gone now, sold to a man who claimed he needed it for “family errands.” But the fond memories of tearing around the city have never faded. America may have abandoned its automotive adolescence, but Dubai, thankfully, hasn’t.
Someone has to keep the engines roaring. And right now, it’s the men in sandals.
Why Jayden can’t use capital letters
What’s the deal with people typing in all lowercase? You’ve seen that, right?
everything they type looks like this. it doesn’t matter if it’s a text. it doesn’t matter if it’s a post on x. it doesn’t matter if it’s a comment on someone’s photo. everything they type is lowercase.
‘If I see “LOL,” that’s a Boomer/Gen X. If I see “Lol,” that’s a Millennial. If I see “lol,” I know that’s one of my own.’
This style of typing is largely a Zoomer phenomenon, though some older people trying to act young do it too.
I am not a Zoomer, though I am interested in the Zoomers. I have written about them before, am writing about them now, and will write about them again. They are, whether we like it or not, the future, or at least the near future, so they should be of interest to us.
So why exactly do the Zoomers type in lowercase?
No cap
I asked a trusted Zoomer resource of mine, Caleb Wallace Holm, to provide his usual insight. He told me, “Zoomers have been doing it since we got our phones. It’s a way to demonstrate nonchalance and also a means of distinction from previous generations.”
All this makes sense. Younger generations almost always try to demonstrate nonchalance or uncaring. To be formal is to be old and stodgy, and you don’t want to be old. To be overly concerned is to be your dad, and you don’t want to be your dad.
So the young seek out ways to show they are relaxed and ways they can possibly differentiate themselves from the old. When you are young, you want to be new and different, so there is nothing particularly new about the logic of Zoomer lowercase typing.
Laugh lines
What is new is the acting out of this mini-rebellion of distinction in the digital domain, as the digital world didn’t exist for prior generations in the same way it does for the Zoomers.
And it is this new element — life in the digital space — that differentiates Zoomers most profoundly from the rest of us in a multitude of ways. As I have written before, Zoomers are the first disembodied generation, and this has profound impacts on how they exist in the world.
Holm told me he can discern how old someone is just by the way they “laugh” online. He remarked, “If I see ‘LOL,’ that’s a Boomer/Gen X. If I see ‘Lol,’ that’s a Millennial. If I see ‘lol,’ I know that’s one of my own.”
While I never would have thought of this on my own, it made complete sense once I heard it. Of course an astute member of the generation that was raised on the internet would be adept at discerning someone’s age simply by the way they “laugh” online.
The lowered life
Though the attempt to differentiate oneself from prior generations by way of typing in all lowercase makes sense and follows a fairly expected trajectory, there is something off about it. You might call the Zoomers many things, but earnest, excitable, mentally well, and aspirational are probably not among the descriptors you would choose to use.
They barely drink alcohol out, but they smoke tons of weed in. SSRI use is rampant, and a general malaise or an overly-ironic stance is fairly standard operating procedure among their cohort. The Zoomers are the most medicated generation in history and don’t appear to respond to any traditional incentive structure. Not great.
Nonchalance is one thing. Not caring about anything at all is another thing. I do wonder if the lowercase typing of the Zoomers is less about studied nonchalance than it is a lack of any vital spirit. I wonder if this lowercase typing represents something even more toxic than laziness. If the Zoomers were, in general, very well-adjusted, very social, and very mentally well and characterized by earnest effort, I may not wonder if the lowercase typing signaled something negative. But they are not those things, so I have to wonder what it represents, whether done intentionally or not.
RELATED: ‘6-7’ gets 86’d! JD Vance jokes about banning meme — and one company actually does it
Photo by Brett Carlsen/Getty Images
Type casting
And yet, not all Zoomers are listless or on SSRIs, and not all Zoomers type in lowercase. Holm, my Zoomer resource, doesn’t. He types like I do — with capitalization — though he is also fluent in the language of his people (the Zoomers). And he is also full of life and spirit. And though I often joke with him that he is the most powerful Zoomer living, he is not at all alone. There are other vital Zoomers out there who type with proper capitalization.
It sounds strange, but maybe proper capitalization and vitality, or just normal emotional responses, go hand in hand. And maybe typing in lowercase and perpetual irony go hand in hand.
Maybe performative nonchalance in text form becomes giving up or some other kind of deadness IRL quicker than people realize.
Maybe the way we type to one another matters more than we think. Maybe exclamation marks, capitalization, and real non-ironic enthusiasm reflects a healthy attitude toward the world and one’s place in it.
Maybe there is more to lowercase typing than meets the eye.
The medium is the message, after all.
Cuckin’ in the Free World
The sun rises also. God’s taunt: the relentlessness of repetition; the unyielding promise of possibility. So gentle, yet so violent. A brown box lingers on the front steps, aching for evisceration’s gift. Begging to unburden itself. A soul ensconced within—laid bare in literary flesh, fixed in ink, and marketed for mass consumption. A cry for help. The sound of an American flag being raped.
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‘Bell’-buster: Joy Reid tries to cancel classic Christmas ‘Jingle’
“Truth. Justice. Whatever.”
Hollywood’s disdain for America is official with the poster tagline for this summer’s “Supergirl.”
‘I don’t care for Owen Wilson, and I don’t care for Matthew Lillard.’
How the industry embraced the problematic “girl” part of the name is a debate for another day. Just know that Hollywood hasn’t been cozy with the classic Superman slogan, “Truth, justice, and the American way,” for some time. The 2006 Brandon Routh reboot infamously ditched that last part, as did this year’s James Gunn version.
Now to show us that this Supergirl can’t even, the phrase is purposely imploded. And to be fair, the results come off better here, if only because the newest Supergirl is a rebel without a cause (or home planet).
Those offended by ditching “the American way” may be more outraged by the accompanying trailer. It looks as gloopy as this past summer’s “Superman” reboot, but with half the gravitas and action.
Prediction: Superhero fatigue goes nuclear in 2026 …
Jay Zzzzzz
Slackers never grow up. They just stay in their parents’ basements indefinitely.
That isn’t true for Jay and Silent Bob. The slacker heroes from Kevin Smith’s imagination refuse to call it a career. They’ve appeared in two features as the key attractions and several Smith movies like the “Clerks” franchise and “Mallrats.”
Now Smith is warning us there’s a third Jay and Silent Bob film in the works. “Jay and Silent Bob: Store Wars” will start production next year. But will anybody show up?
“Jay and Silent Bob Reboot” made under $5 million in 2019. Smith’s last film, “The 4:30 Movie,” didn’t earn enough for BoxOfficeMojo to include its figures.
Smith may have come of age during the ‘90s via “Clerks” and “Chasing Amy,” but his devoted flock has done nothing but shrink since then. Bigly.
Smith, 55, and co-star Jason Mewes, 51, may seem too old to keep cracking pot jokes, but Smith deserves credit for finding enough cash in his sofa to keep his franchise afloat …
Pulp Friction
Quentin Tarantino can’t get criticism out of his system.
The former video store clerk was set to make “The Movie Critic” his 10th and final film, but he got cold feet and went back to the proverbial drawing board. Since then, he’s been criticizing … everything, including specific movie stars.
That’s an unofficial no-no in celebrity circles, but Tarantino is out of you-know-whats apparently.
The director recently slammed actor Paul Dano (“The Batman,” “Love and Mercy”), dubbing the actor “weak sauce” and worse, as part of that now-infamous “Bret Easton Ellis Podcast” interview.
Hollywood stars rallied around Dano, saying he was far better than what the mercurial director dubbed him. Tarantino also shredded two more stars as part of that conversation.
“I don’t care for Owen Wilson, and I don’t care for Matthew Lillard.”
Wilson has yet to publicly respond, but Lillard did just that at a recent Comic-Con-style event, the GalaxyCon in Columbus, Ohio.
“Eh, whatever. Who gives a s**t,” Lillard said before revealing that he actually does give a bleep.
“It hurts your feelings. It f**king sucks,” he said. “And you wouldn’t say that to Tom Cruise. You wouldn’t say that to somebody who’s a top-line actor in Hollywood.”
So far, Lillard’s former co-star Scooby Doo has no comment …
RELATED: These are the definitive recordings of 35 favorite Christmas carols: Don’t argue, just listen
Photo credits, clockwise from top left: NBCU Photo Bank/NBCUniversal via Getty Images via Getty Images; Hulton-Deutsch Collection/CORBIS/Corbis via Getty Images; Robin Platzer/The LIFE Images Collection via Getty Images/Getty Images; Silver Screen Collection/Getty Images; George Rinhart/Corbis via Getty Images; David Redfern/Redferns
‘Jingle’ jerk
The war on “Baby, It’s Cold Outside” is over, and the good guys won. The song continues to play every Christmas season despite a woke attempt to cancel it. The less problematic “remake” by John Legend and Kelly Clarkson was quickly forgotten.
Now former MSNBC host Joy Reid is declaring war on … “Jingle Bells.” And you’ll never guess why. Just kidding.
The song’s writer, James Lord Pierpont, allegedly penned the ditty for racially charged reasons, according to Reid. To her credit, if anyone knows about racially charged topics, it’s a former TV personality who sees racism around every corner.
To her, Elvis Presley’s nickname, “The King,” is racist.
She used a Massachusetts plaque as her “proof” of the song’s racial components, along with Pierpont’s days fighting for the Confederacy. The song’s lyrics appear as benign then as they do now.
Maybe she could record her own version of the song, a la Legend and Clarkson, and watch it follow eight-track tapes, pagers, and MSNBC into the dustbin of history.
ADF: Employees Can’t Be Forced To Lie About Pronouns At Work
Employees don’t have to insist on calling people by pronouns they don’t like. But they don’t have to say something they know is not true.
Nearly Half Of Netflix Kids’ Shows Expose Children To LGBT Propaganda: Report
While Netflix and Warner Bros. lock horns over a possible merger, some parents are worried it will expand the LGBT messaging seen in nearly half of Netflix’s children’s programming to other programs that would come under its umbrella. Children’s programming is a powerful tool for changing culture by speaking directly to children. By age four, […]
Our Man in Amman
Uneasy lies the head that wears the crown that was invented by the British and then funded by the Americans. Constantly lies the head of state who claims to protect the Palestinians while cooperating with the Mossad. Abdullah II is the fourth king of Jordan, the state that Winston Churchill lopped off the Palestine Mandate in 1921 with, he said, “the stroke of the pen one Sunday afternoon in Cairo.” The plan, as proposed by Lawrence of Arabia in 1918, was to install the three sons of Hussein, the Sharif of Mecca, as the Hashemite emirs, Britain’s proxies in the states it was carving out of Ottoman territory. Abdullah is the last Hashemite standing. He has a pronounced facial tic.
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